Grace Louise Photography
Read MoreMAREE KELLY
CREATIVE PRACTICE
Maree comes from Gunnedah and lives on a farming property just south of the village of Curlewis. From her studio at the family farm overlooking the Namoi and Mooki floodplains, she paints what she knows and loves best – the landscapes of north-western NSW. With tertiary qualifications in both environmental science and fine arts, Maree’s work is deeply influenced by her observation, understanding, and connection to the natural environment.
CONTACT
Mobile: 0427688328
email: hello@mareekelly.com.au
https://www.instagram.com/maree.kelly.artist/
https://www.mareekelly.com.au


JULE JARNER
From the still waters of Lake Macquarie to the expansive flatlands of rural Australia, my journey as an artist has been one of joyful growth and unexpected discoveries. Growing up surrounded by creative spaces, I always had a passion for art, but it took a leap of faith for me to realize that I could actually pursue it as a career. My adventure began with a traineeship in arts administration at Lake Macquarie City Council, which set the stage for my artistic journey. At 20, I made the exciting decision to move to Moree. What I thought would be a step in my career quickly transformed into a love affair with this small country town. Working as the Programs and Outreach Officer at Moree Plains Shire Council, and later as the Education and Engagement Coordinator at the Bank Art Museum Moree, I found a vibrant community that embraced creativity and connection. Now, as the Projects Officer with Arts North West and the founder of my own practice, Jule Jarner, I’ve turned my passion into purpose. The warmth and support of the Moree community has inspired me to invest in myself and pursue my own artistic vision. I am proud to call this town home, and I thrive on engaging with initiatives that uplift our community, showcasing its resilience and kindness. I believe in the healing power of art and creativity to express values, thoughts, and identities, leaving a positive footprint in our world. My work is deeply influenced by the beauty of human connection. I see art as a bridge that fosters understanding and compassion, and I strive to infuse warmth and positivity into everything I create. Each color choice and composition is a deliberate expression of my values, inviting others to join me on a journey toward a more loving and harmonious world. Sometimes, I even create purely for the joy of it! Through my art, I hope to inspire others to embrace kindness and celebrate the connections that make us human. I believe that in every brushstroke lies the potential to foster community and create a brighter future together.
www.julejarner.com
https://www.instagram.com/jule_jarner/
Mobile: 0488713321
Email: julejarner@gmail.com
Studio: 167 Balo Street
Moree, NSW, 2400
Michael Burge
Michael Burge
CREATIVE PRACTICE
An author, journalist, publisher, bookseller and artist, Michael has edited and written for Guardian Australia, Fairfax Media, Australian Community Media, Intermedia, Margo Kingston's NoFibs, United News & Media UK, News Corporation and The Journal of Australian Studies.
His crime and historical novels explore prejudice and resilience in rural Australia.
He is a board member of the BAD Sydney Crime Writers Festival and a member of the Australian Crime Writers Association.
CONTACT
80 Tenterfield Street, Deepwater, NSW, 2371
p: 0400 977 816
e: burgewords@bigpond.com
w: https://burgewords.com/ fb: https://www.facebook.com/MakersShed/
Music with Aim
MUSIC WITH AIM
HOME:
Welcome to Music With AIM. We provide a unique and inspiring music education program for young children. Passionate about supporting and nurturing children’s all-round development through music, we aim to equip children with a skill set that gives them the very best start to their educational journey.
Aim (Amy Schultz) is an accredited and experienced teacher of over 20 years, specialising in Creative Arts Education (Music, Art and Drama). Aim is the Principal Educator and Program Developer at Music With AIM Music School. Aim graduated from the University of Technology Sydney with a Master of Arts Degree. She also holds a Bachelor of Creative Arts (Distinction) and Graduate Diploma in Education.
At Music With AIM, we understand that music education can be empowering for young children. When students attend Music With AIM classes, they have the opportunity to learn so much more than music! Through fun, sensory and engaging musical activities, children are supported to develop skills in key learning areas such as: numeracy, literacy (speaking, listening and early reading), and social skills like autonomy, resilience and regulation.
We aim to:
Nurture babies at their unique developmental stage, strengthening the bond between child and care giver.
Spark a curiosity for learning in the toddler, supporting them as they develop self-confidence, independence, body awareness, social and communication skills.
Prepare preschoolers for the structure and discipline of the classroom setting, whilst continuing to build autonomy, resilience, self-regulation and ignite imaginations that strengthen learning pathways.
ABOUT:
Amy (Aim) is a Music Specialist Educator with over 20 years experience. Aim has worked in both private and public sectors of education, in Australia and overseas. Aim has experience as a Special Education (MC) Classroom Teacher, Music, Speech, Drama, Voice, Piano and Theatre Arts Educator, K-6 Classroom Teacher, Secondary School Advanced English and Drama Teacher, Choral Director and Djembe Facilitator.
Most recently, Aim has supported the development of music education in primary schools on the Liverpool Plains, where she has led program development and implementation. In these roles, Aim has sought and received grants to ensure children who live rurally are able to gain access to high quality musical instruments.
Over the years, Aim has supported children and their families from diverse backgrounds, and with a range of abilities. Aim has worked extensively with First Nations students, and those with disabilities such as hearing loss, Autism, Dyslexia, ADHD and ODD. Aim is highly experienced in writing, differentiating and delivering educational programs to support students with complex learning needs, and to enrich High Potential/Gifted and Talented children.
Originally from the Liverpool Plains, Aim has now returned to the family farm with her husband and three children. Aim enjoys writing music, yoga, and spending time outdoors with animals.
SERVICES:
Music With AIM classes are offered in person, with enrolments being accepted throughout the year. Invoicing is per term. Please see enrolment form attached and be in contact with Aim to secure your child’s place.
Teaching in schools/preschools/child care centres
Contact Aim to arrange a workshop for your school/child care centre. Through workshops, Aim has the experience and skills to support your students preparing for Eisteddfods, Choir recitals, school concerts, Speech and Drama Exams (such as Trinity or ASCA), and HSC Music/Drama performances.
Teacher training
Music With AIM offers support to your school/child care centre in the form of teacher training workshops. The content of workshops can be discussed at the time of booking, and may include music programming support to staff, or hands on instrumentation workshops for teachers.
Live music
Aim performs at local festivals and events. Please refer to Musicians Australia for information on the minimum fee required. Travel fees apply.
Original music for purchase
Original music from the Music With AIM program is available for purchase. Please contact Amy to arrange a subscription into the member portal.
Are you unable to get your small child to music classes in person? Maybe you live out of town on a farm? Or have a new baby?
Music With AIM is passionate about offering high quality music education to rural and regional children. We are currently seeking expressions of interest for Zoom music lessons. Please be in touch.
CONTACT
To enquire, contact Music With AIM:
Email: amy_schultz@bigpond.com
Phone: 0407 077 213
Amy can also be found on Facebook - Music With AIM and Instagram - Music With AIM
James O’Hanlon at work
James O'Hanlon
James O'Hanlon
CREATIVE PRACTICE
Artist, illustrator, workshop facilitator and commissions
ARTIST STATEMENT
I laugh at my own jokes. Sometimes I tell them to other people, more often I make them into art. Having spent years working as a scientist, quantifying the world through an objective lens, I relish in exploring the fantastical through a subjective (mostly silly) lens. I create illustrations, written stories, large-scale murals, and the odd sculpture here and there.
BIO
James O'Hanlon is an artist and storyteller based in Armidale. He works at intersection of art and science and creates work that celebrates themes of nature, exploration, and discovery. James’ large scale public art pieces can be seen throughout Armidale and regional NSW and his original works have been featured in several solo and group exhibitions. His debut novel ‘Silk and Venom: The incredible lives of spiders’ was released in October 2023, and he is currently illustrating a number of non-fiction childrens’ books. James was the 2021 recipient of the Varuna-New England Writers Centre Fellowship and the 2022 recipient of the Helen Dangar Memorial Bursary.
James is available for mural commissions, illustrations, and workshops/presentations.
CONTACT
james.c.ohanlon@gmail.com
Instagram: @jamohanlon
Twitter: @jamohanlon
0422 460 098
Katherine Harvey
Katherine Harvey
Creative Practice:
Drawing in charcoal, ink and watercolour and printmaking, primarily at this point in silkscreening. However I am a lithographer, and will use relief printing and drypoint for particular effects if this serves my ideas and concepts. Primarily I work on paper.
Artist statement:
My work is driven by the need to share what I have perceived as extraordinary, in the natural world. I explore this world, visually and then deepen the vision by understanding the science, the stories surrounding what has my attention, including indigenous perspectives, and whatever other writings or creative approaches have come to bear upon it.
I will draw, experiment with media and gradually focus in on how the work or groups of works will be created. I really enjoy the rawness and expressiveness of the simple, rapid willow charcoal drawings done on site. And this practice grounds, and informs the studio work at both a conscious and unconscious level.
Recognition:
Katherine has a Bachelor of Science and Diploma of Education from Sydney University (1980) and a Bachelor of Fine Arts from the National Art school (2001).
For the last 20 years she has maintained a steady art practice and exhibition program.
Highlights include:
Finalist: Hazelhurst Works on Paper Award 2003
Solo Exhibition Perry Adelaide Gallery Croydon NSW 2004
Artist Residency and exhibition: Presbyterian Lady's College Croydon NSW 2005
Winner, Drawing Prize, Lexus Mortimer Art Prize Dubbo 2007
Artist Residency:
Calvary Hospital Belconnen ACT 2010 with accompanying exhibition at Belconnen Arts Centre ACT.
Exhibitions at Tamworth Regional Gallery:
The Changing Face of the Peel, 2016
The City of Light, 2018
Collection Conversion, 2021
Katherine has work in the collections at
Perry Adelaide Gallery Croydon NSW
Dubbo Regional Gallery NSW
Calvary Hospital, Belconnen, ACT
Tamworth Regional Gallery, NSW
Contact:
Katherine Harvey
m: 0425 314 331
Instagram: @katherineharvey_art
Which Council area do you live in?: Tamworth Regional
Jody Trindall
Creative Practice:
Weaving, Jewellery making Fashion Accessories and design and painting.
Artist Statement:
Yaama, my name is Jody Trindall. I am a Gomeroi Narrabri yinarr (woman). Art embodies a huge part of who I am, it streams through my family. I am blessed to come from a long line of artists who tell their stories with a passion and commitment for sharing the beauty of our culture. My mother and father are huge influencers in my creative practices both artists, they have instilled in me a passion for openly expressing my creativity through connection to culture, country and community. I have a passion for making and creating beautiful pieces being inspired by found natural objects and the natural beauty that surrounds me and I am always inspired by the beauty and colours of country. I often use these colours throughout my work, spending many hours creating individual commissions and pieces that portray the essence that is country. Weaving has many layers not just practically in the making of the piece but spiritually.
The practice of weaving in itself holds great significance for First Nations women, being seated and having conversations together forms a big part of the basket or item, all the yarns and conversations shared whilst weaving goes into the piece that is being made. Much effort time and care is put into each individual piece. It carries with it a depth of knowledge that is sacred.
Recognition:
I received the JobLink Plus State-wide Aboriginal Arts Award in 2022 -1st Prize in the Weaving section. I worked with artists on the Nurrubu Mural Project.
Most recently in November 2022 I was commissioned and created a one-of-a-kind Emu Feather Set which consisted of a Shoulder pad style broach, a set of earrings and a bracelet, which were individually handcrafted out of raffia and emu feathers that was worn to the Sydney Peace Prize Dinner. I have also created pieces for school formals and weddings and other important functions. Of which I am honoured to have been a part of people's special days.
CONTACT:
Jody Trindall
Contact number: 0497 580 841
Email - kaputarweaving@gmail.com
Facebook - Kaputar Weaving Jody Trindall
Gay Landeta
Gay Landeta
Creative Practice:
I am a mixed media artist particularly interested in mark making and texture. I use a variety of mediums in my work including charcoal, inks, acrylics, printmaking, and collage.
Artist statement:
I am fascinated by the movement and depth of light in the Australian environment. Raised in Canada, the clarity of light here in Australia still impacts me daily. The work I produce is a process of connecting with, understanding and refining my own experiences while visually making sense of my inner world.
I have always loved and appreciated Visual Art. I spent my late teens studying ceramics in Canada before leaving to travel and live in the UK and Europe. After settling in Brisbane in the early 80’s, I continued to explore pottery and sculpture and set up a home studio. Later the manoeuvrability of working with fabrics and threads led me to spend several years creating textile pieces until the late 90’s when I began investigating two-dimensional art media. My visual art practice continues to keep pace with my work as a Kinesiologist, a place of listening to and translating the unsaid.
Moving to Tenterfield in 2015 was an intentional way to delve deeper into my art practice. Since then I have exhibited regularly as part of the Borderline Regional Arts Association as well as individually in local galleries.
Recognition:
I am mostly self-taught however significant past teachers have included :
- Wendy Jewell, Ceramist, Brisbane 1983/84
And while at the Brisbane Institute of Art (BIA) (2004 – 2014):
- Hollie
- Jane James
- Nicole Sylvestre
As an active member of the Borderline Regional Arts Association, I also regularly participate in our annual workshop series and exhibitions.
First Prizes : 'Australiana' Art Prize 9x5 (ACS) 2022, Tenterfield Show 2021 & 2022
Places and Mentions : Tenterfield Show 2022 & 2016,
'Australiana' Art Prize 9x5 (ACS) 9X5 2020
Hangers Choice : Tenterfield Show 2016 & 2022
CONTACT:
Gay Landeta
Email: glandeta@icloud.com
Website - www.gaylandeta.art
Facebook - Gay Landeta Art
Instagram - @gaylandeta
Charmaine Lamb
Charmaine Lamb
Creative Practice:
I am a multimedia artist, I enjoy painting, drawing, printmaking, weaving, wood burning and jewellery design.
Artist Statement:
I was born in Collarenebri in 1968 and travelled around the shearing sheds. I have spent years on and off country from Narrabri experiencing many things and being inspired by this for my creative practice.
I have always had a love of art; it relaxes me and takes me to another place. It allows me to express emotions and feelings; I would always envision a story before I would paint this, and I feel that this is my deep connection to my culture and passed on to me from my ancestors.
I feel it is very important to incorporate traditional practices that we grew up with into our cultural teachings. I hope to build a stronger connection to country in young people through art by preserving traditions, and practices such as Smoking ceremonies, Cleansing ceremonies, bush tucker identification, weaving dance and song, that will then be passed down to future generations.
Bio:
Schooling was a little difficult for me growing up I dealt with many racial issues however it made me stronger, and I went on to complete Year 10 in High School. I have had artworks on display at Narrabri Local Aboriginal Lands Office and was one of the artists involved in painting a section of a large mural at Narrabri LALC Office that features as a part of a large display cabinet in the communal area at the LALC. I have facilitated workshops over the years working with youth in the Narrabri community. I am a self-taught artist but have learned from my community and family over the years.
Recognition:
I am a board member of the Narrabri Local Aboriginal Lands Council, Elders group and Winangali Elders group. I have been involved and participated in a local cookbook and always participated in NAIDOC events and activities and volunteer at our local school.
CONTACT:
Charmaine Lamb
M: 0458 804 660
Charmaine doesn’t have social media.
Hayden Fletcher
Hayden Fletcher
BIO:
My name is Hayden Fletcher.
I'm from a small rural town in the New England region of Australia specialising in creating artwork through the Adobe Creative Suite (Photoshop, Illustrator)
CREATIVE PRACTICE:
Primarily my artwork is contemporary abstract art, distinguished through his use of bright colours with a black background, symmetry, and are based upon intangible subjects or themes. Some of these works are animated to further enhance their uniqueness and quality.
Artist statement:
My goal is to create a new style using innovations in technology in order to create artwork for both the general public and the art world. To make something new and exciting in a world of severe commercialism and safe ideas. With technology, artwork can be elevated in terms of colour, shape and the canvas itself.
Recognition:
Before 2022 - Primarily studied for my Diploma & Bachelor of Design from the University of Canberra
2022 – Primarily spent time working on Digital Artwork
March 2023 – Manilla Show 2023 – First Place in the Digital Art Category & Manilla Category
May 2023 - Other Art Fair 2023 in Sydney
June 2023 - M2 Gallery EQUS ‘Quantum Art Contest’ Exhibitor
CONTACT:
Hayden Fletcher
Instagram: @hayden_fletcherism
E: fletcherism.artwork@gmail.com
M: 0429197555
LGA: Tamworth Regional
Dianne Murphy
Dianne MURPHY
ARTIST STATEMENT
Distinctively different - Dianne’s bead and Gumnut jewellery.
Inspired by the unique Australian flora, Dianne grew up, appreciating all that rural Australia had to offer. From a young age, she has always had a talent and aptitude for creative arts and crafts. From winning prizes at school to making the most of farming life, Dianne has always been resourceful in her creative endeavours.
Her love of Australia is reflected in her work from blanket making to native Australian forestry, and even a vast array of bead craft. As often described in Australia’s rich history of Bush poetry, Dianne has known times of drought and difficulty. Creating through such adversity is what has sustained and nourished her spirit.
Dianne continues to practice her passion for celebrating Australia through arts and craft. At present, she is focused on authentic Australian jewellery. She has designed and crafted the “My Australiana” jewellery line. This unique brand, through its use of native gumnuts and seed pods, highlights the natural beauty of the Aussie bush!
Dianne is both creator and teacher. She makes time to impart her creative wisdom and skills, wherever the opportunity arises. From Byron to Bourke and beyond, Dianne’s travels continue to inspire her clever creations, whether it’s her daughter, granddaughters, or those in new generations, Dianne’s commitment to Australian arts and crafts. Continue to blaze a Trail for new and upcoming artists.
CONTACT
Email: diannesdesigns@bigpond.com
Siobhan O'Hanlon
Siobhan O'Hanlon





Artist statement:
I love creating things, and silver is such a beautiful medium to work with. I tend not to begin with designs, but find a stone that I love, or something in nature that I’m inspired by, and kind of make things up as I go. This, combined with the hand-forged nature of my work, means that no two pieces of jewellery are the same. Wherever possible, my jewellery is made with recycled and sustainable materials and techniques.
Creative practice:
Silversmith and jewellery maker
Recognition:
I am a scientist and teacher by training, having earned my PhD in biology in 2015, and my Masters of Teaching in 2020.
I attended Silversmith classes at SquarePeg Studios in Marrickville, Sydney, for 2 years and when I moved to Armidale, continued my learning under the guidance of and through many a workshop with Richard Moon at the Maker’s Shed, Glen Innes.
In late 2022, I won an Arts North West grant to go towards materials for a new range of jewellery, which I’m currently working on.
Contact:
Siobhan O'Hanlon
Email: shop@bonniedeedesigns.com
Social media - @bonniedeedesigns
Website - www.bonniedeedesigns.com
LGA: Armidale Regional
Bronwyn Clarke
Bronwyn Clarke
Creative Practice:
Dress historian, historical dressmaker, also award-winning novelist
Artist statement:
I am a dress historian and maker with a particular interest in the role of sewing and dressmaking in the lives of ordinary women in rural Australia, and in historical sewing patterns and techniques of clothing construction. Clothing is a constant and intimate facet of daily life and a way in which we negotiate our identities. The making, wearing and mending of clothing is an integral aspect of everyday historical experience. My work is based in experimental history, using embodied methodology to explore the making, wearing and remaking of clothing as a fundamental aspect of women’s historical experience. Working from original patterns and dressmaking manuals, and using authentic historical techniques, my work explores and aims to amplify the high levels of skills ordinary women needed to clothe themselves and their familie, and to challenge aspects of the common discourse around women and fashion in past eras.
Recognition:
I have always been fascinated by historical dress and textiles and their role in the lives of ordinary people, and have always been drawn to make things. I hold a BA (Hons) from the University of New England, and am currently undertaking a Master of History. My Honours thesis studied late18th-centuryy British worsted textiles; in addition to analysing extant textiles, I recreated samples of historic textiles using hand-spinning and weaving techniques.
My historic clothing experience includes costume design and making for Canberra Repertory productions; five years working with the clothing collection at the Armidale Folk Museum (including constructing underpinnings to display19th-centuryy dresses); and many years researching and recreating historic clothing. I have taught workshops on aspects of costuming and textiles at the Jane Austen Festival Australia, Sydney Regency Weekends, and the Romance Writers of Australia conferences.
CONTACT:
Bronwyn Clarke
E: bronwyn@stitchinghistory.com
M: 0438 752011
Website: stitchinghistory.com
Instagram: @stitching.history
Facebook: https://www.facebook.com/stitchinghistory
Which Council area do you live in?:
Armidale Regional
Daniel Elliott
Daniel Elliott












Creative Practice:
Animation // Illustration // Video Production // Game Development // Photography // Creative Workshops
Artist Statement:
Daniel Elliott is a highly experienced Australian animator, photographer, and filmmaker with over 20 years of industry experience. He has worked in a variety of fields, including online marketing, television/streaming, and music video production, with the proceeds of this work being used to self-financed art, such as short films, comics, and independent game development. Daniel’s passion for art has taken his skill set and ideas around Australia as well as overseas.
In 2007, Daniel founded Visitors From Dreams, a production house that specializes in creating video content for advertising and television, as well as original short-form media and interactive entertainment. Throughout his career, Daniel has had the opportunity to work on advertising and marketing campaigns for brands such as Volkswagen, Coca-Cola, and Google, while also collaborating on and directing visual effects sequences in animated TV series for streaming services like Netflix. Daniel’s work in all mediums is known for its tactile nature, often utilizing tools such as vintage camera lenses and post-production effects like film grain to try and remove any and all digital sheen. He holds a core belief that imperfections are the key to creating work that feels entirely human in an increasingly digital age.
Growing up in the arts hub that is The Northern Rivers of NSW (currently residing in Armidale, New England, NSW), Daniel has been surrounded by creative media and the arts for the entirety of his life. However, without access to much in the way of arts education, he is entirely self-taught in all mediums. This has resulted in a melting pot of influences, from photographic styles such as Street Photography, more commonly associated with urban and city centers, to the marriage of visuals and music by filmmakers like Alby Falzon and David Elfick. Even 70s and 80s BBC animation from the UK, with its generally low budgets and herky-jerky appearance, plays a large role in his creative process thanks to its constant airtime on the ABC during his childhood. Daniel mixes these influencers and many more while striving to create media that is not just stereotypically Australian, but at its core is a unique reflection of Regional Australia and its people.
Recognition :
Festival Screening
The Client Is Always Right - Setting Sun Film Festival
CONTACT:
Daniel Elliott
Phone: 0407 079 064
Email: visitorsfromdreams@gmail.com
Website: https://visitorsfromdreams.com/
Instagram: www.instagram.com/visitorsfromdreams/
Vimeo: Visitors From Dreams
LinkedIn: https://www.linkedin.com/in/daniel-elliott-41a26b28/





Isabelle Devos
Isabelle Devos
BIO
Isabelle Devos is a contemporary painter whose landscape paintings capture a quiet yet strong sense of place and mood.
The paintings explore scenes where people have shaped the landscape and a story is waiting to unfold.
“I simplify what I see to its essence of form, light and colour, creating a glimpse into a hidden story that exists beneath a serene surface.”
CONTACT
Mobile: 0427 758 229
Email: isabelledevosart@gmail.com
Website: www.isabelledevos.com.au
Instagram: @isabelledevosart
Facebook: Isabelle Devos Art
CV
Solo Exhibitions
2022 ‘While Standing In One Place’ ARO Gallery, Frances Keevil, Sydney NSW
2019 ‘An Uncertain Stillness’, Frances Keevil Gallery, Sydney NSW
2017 ‘A Distant Summer’, Frances Keevil Gallery, Sydney NSW
2016 ‘Where the Road May Take You’, Gallery 126, Armidale NSW
2016 ‘Townscapes’, Weswal Gallery, Tamworth NSW
2015 ‘The Wait for Evening’, Frances Keevil Gallery, Sydney NSW
2013 ‘Calm Before the Storm', New England Regional Art Museum, NSW
2011 ‘From There to Here, Gallery 126, Armidale NSW
2008 'On A Clear Day’, New England Regional Art Museum, Armidale NSW
2006 ‘A Sense of Quiet', Gallery 126, Armidale NSW
2003 ‘Insecurities Project', Struts Gallery, Sackville NB Canada
1997 ‘New Paintings, Gallery 96, Stratford ON Canada
Selected Group Exhibitions
2023 ‘Through the Eyes of Strangers’, New England Regional Art Museum, NSW
2022 ‘Reflections’, Frances Keevil, Sydney NSW
2022 ‘Through Our Eyes’ Incinerator Art Space, Sydney NSW
2022 ‘Artists to Watch’, Lethbridge Gallery, Brisbane QLD
2020 ‘The New England Landscape, New England Regional Art Museum, NSW
2020 ‘The Panorama Project’, sketch book project touring regional libraries. Curated by Arts North West NSW
2019 ‘Everything is Gonna Be Fine’, Art Bank Collection, NB Canada
2016 ‘The Mother Art is Architecture’, Frances Keevil, Sydney NSW
2013 ‘Ode to Olley’, New England Regional Art Museum, Armidale NSW
2016 ‘The Drawing Project', Gallery 126, Armidale NSW
2009 ‘A New England View’, New England Regional Art Museum, NSW
Prizes
2023 Lethbridge Landscape Art Prize, Finalist
2023 Glover Landscape Art Prize, Finalist
2022 Paddington Art Prize, Finalist
2021 Lethbridge 20000 Art Prize, Finalist, Highly Commended
2014 Calleen Art Award, Finalist
2012 Norvill Art Prize, Finalist, High Commended
2010 Armidale Art Prize, Winner, Still Life Award
2011, Country Energy $35,000 Landscape Art Prize, Finalist
2009 Country Energy $35,000 Landscape Art Prize Finalist
2009 Warwick Art Prize, Finalist, Highly Commended
2009 Tattersalls QLD Art Prize, Finalist
2008 Norvill Art Prize, Finalist, Winner, Unpacker Prize
2008 Stanthorpe Art Prize, Finalist
2007 Muswellbrook Art Prize, Finalist, Highly Commended
2006 Australian Artist Magazine Landscape Art Prize
2005 Country Energy $35,000 Landscape Art Prize, Finalist, Highly Commended
Education, Residencies, Public Commissions, Grants and Awards
2021 Artist Residency with David Keeling, Tasmania -1 week
2020 Gunyah Artist Residency, with writer Helena Pastor, NSW- 2 weeks
2020 Helen Dangar Memorial Art Bursary, New England Regional Art Museum
2020 Artist Grant, Arts North West, NSW
2018 Commission: Boilerhouse painting, University of New England, NSW
2016 Putting the Pieces Together, workshop artist, Arts North West, NSW
2009-22 National Association of Visual Arts, member artist
2003 Artist Grant, Canada Council for the Arts: Insecurities Project, Canada and Artist Grant from New Brunswick Arts
1998 Artist Grant, Canada Council for the Arts: Landed Immigrant Seeks Landscape, and Artist Grant from New Brunswick Arts
1991 Bachelor of Fine Arts, Mount Allison University, Canada
Publications & Media
2012 poster design for Sydney Theatre Company, ‘In A Heartbeat’
2011 Artist Profile, FOCUS magazine, July issue, New England NSW
2010 ‘Kangaroo: Portrait of an Extraordinary Marsupial, by Jackson and Vernes, publisher Allen+Unwin, multiple chapter illustrations
2006 Geist Magazine, issue 58, ‘Findings: The Insecurities Project’
2003 CNN Interview, ‘The New Insecurity’, National News
2002 BBC International Radio, ‘The World’: The Insecurities Project
2002 New York Times, newspaper, ‘Airport Security and Art’
2002 Vogue, (Italian) Five Female Conceptual Artists - Insecurities Project
1998 Arts Atlantic Magazine, ‘A Performance in Three Stories’, Performance Art
Public Collections
State Library of NSW, Sydney NSW (2021)
University of New England, Armidale NSW (2018)
Galerie d’Art Université de Moncton, Canada (2004)
Art Bank Collection, NB, Canada (2002)
Anchorage Press, Jolicure NB Canada (1998)

Janna Hayes
Janna Hayes
BIO & CREATIVE PRACTICE
Janna is an emerging artist based in the Northern Tablelands of New South Wales. Her work consists of large, expressive landscapes and abstract pieces. Janna's practice examines the relationship individuals have with nature and the way in which we turn to specific landscapes for solace, grounding and rejuvenation. Our identity is tied to a certain place as we develop our sense of self against that set landscape. As we move through life it is this same environment to which we return to draw , inspiration, hope and energy. Painted primarily in bitumen and oil paint on paper, Janna's work reflects a deeply personal journey of moving through grief in a foreign landscape and learning to challenge one's own self-narrative in order to find beauty and connection in the unfamiliar.
Janna's debut show "This Will Be The Place" opens at Weswal Gallery in Tamworth, 17 May 2023.
ARTIST STATEMENT
Throughout drought, bushfires and the recent pandemic I have considered what it is to seek solace in a landscape starkly different from the one in which your idea of self lives. The process of finding oneself in and seeking connection to a new environment is profound because it impacts upon our very idea of who we are. Adapting that idea or that belief in oneself can be a confronting experience. In my current practice I am wrestling with the bittersweet process of doing just this. I endeavour to convey the kaleidoscope of beauty, strength, fragility and grief that nature reflects back at those who bathe. In 2018 I moved my young family to Armidale in regional New South Wales, Anaiwan country. Having lived my life by the ocean, the move to a landscape raked dry by drought, high up on the Northern tablelands where frosts continue into November came as a shock. For months we lived with the count-down to day zero, anxiously counting every drop of water. The drought was followed by bushfires, at times all 3 roads out of town blocked. The dry land burning up. The smoke was so thick in town you had to turn your headlights on at midday. And then came the pandemic. Like many Australians I faced these crises at the same time as trying to live a life and raise a family. We lost a dear friend to cancer, my Dad was diagnosed with emphysema and my brother developed PTSD after making it out of a mine collapse alive. I turned to nature, hiking the surrounding national parks to find solace. I climbed Cathedral Rock, explored the ancient Gondwana forests in New England National Park and found a personal place of peace in Gara Gorge to return to time and time again. To find this solace, I had to overcome my own firmly held personal narrative of being someone bound to the ocean and the tropics. I had to let go of my own idea of self in a process I found to be confronting but ultimately rewarding. In expanding my own personal narrative and developing a relationship with a new landscape I connected with something greater. Ultimately oneness can be found in any place... but it must be sought. It is this deeply personal, yet universal relationship with our natural world that I aim to represent in my landscapes.
AWARDS & GRANTS
Bendemeer Art Prize | Winner, Major Art Prize - April 2023
Arts North West | Microgrant (professional development) - October 2022
Armidale Art Show | 2nd Place "Blue Bottle" Acrylic on canvas - Summer 2021
CONTACT
Janna Hayes
janna.hayes@icloud.com
0428 408 179
@jannahayesart


Leah Bullen
Leah Bullen
CREATIVE PRACTICE
Visual artist working across painting, printmaking, drawing and mixed media
ARTIST STATEMENT
My painting practice is centred around the representation and mediation of the natural world. Currently, my work is concerned with representing locations that reconstruct nature, such as gardens, aquariums, and museum displays. These locations act as a model through which I explore how we experience and consume the spectacle of nature more broadly within contemporary culture.
BIO
I completed a Bachelor of Visual Arts (Honours) and a Doctor of Philosophy, Creative Arts, at the School of Art & Design at the Australian National University in Canberra. I have worked extensively in arts education as a lecturer at the School of Art and Design from 2008-2016 in the Painting Workshop. Currently I work as a freelance arts teacher across the public and private sector.
In 2021, I won the Stanthorpe Art Prize and The Pring Memorial Prize as part of the Wynne Prize. In 2016, I won the Trustees’ Watercolour Prize in the Wynne Prize. I have been a selected finalist in art prizes such as the Mosman Art Prize, the Hazelhurst Art on Paper Award, McClelland Watercolour Prize, the Elaine Bermingham Watercolour Prize, Flowing Water: Taoyuan International Watercolour Biennial (Taiwan), and the Fabriano International Watercolour Biennial (Italy).
Across my career, I have exhibited work in artist-run-initiatives as well as commercial and public art galleries around Australia and internationally. I have undertaken artist residencies at the Bundanon Trust, Hill End Artist Residency Program, Hazelhurst Arts Centre, The Old School Mount Wilson, the Australian National University and the Universidad Politécnica de Valencia, Valencia, Spain. In 2016, I became a member of the Australian Watercolour Institute and an Artist Ambassador for Winsor and Newton Australia.
CONTACT
0402 037 345
leah@leahbullen.com

Jo-Anne Barr
Jo-Anne Barr
JAMB Hats and Millinery
CREATIVE PRACTICE
Millinery – structured felt hats, wet felt hats, straw hats, sinamay hats and fascinators
ARTIST STATEMENT
I have had a passion for textiles from a very early age, learning dressmaking from my grandmother when I was 12. I consider myself a ‘fibre junkie’ and love to experiment and work with a large selection of fibres. I create hats and fascinators from a wide range of fibres including, superfine merino, alpaca, crossbred merino, banana leaf, silk, cotton, merino blends including merino and silk, paper, a range of straws. I make a range of hat accessories including changeable hat bands to jaze up your hat and macreame hat hangers. I have also explored upcycling pre loved, unloved and vintage hats, whereby I re-block them, and trim them with vintage belts and broches where possible.
One of my many occupations over the year has been a teacher as a result I enjoy sharing my skills and passion and teach wet felted cloche style hats to eager members of local communities.
Hats are my passion, I love to wear them and make them and often struggle to part with them.
BIO
I have a Bachelor of Applied Science in Textiles and Food.
I have undertaken a series of short millinery courses both in person and via zoom from milliners around the world.
A lot of millinery skills are from trial and error and hands on experimentation, applying my science background and understanding of textile fibres and how they behave
CONTACT
0425 272 155
joanne_barr@bigpond.com






Marie Larkin
Marie Larkin
CREATIVE PRACTICE
Marie Larkin is a fine artist creating mixed media paintings and drawings. Commissions accepted.
ARTIST STATEMENT
I’ve always been drawn to things aged, weathered or vintage that tell a story through the marks left by use or time. Like rusting tin sheds and neglected exterior walls and fences, or driftwood and peeling bark, or the old furniture and found natural and man made objects I have collected and placed about our home, a history is sensed through the patina of colours, marks and remnants of previous coats of paint.
Creating a rich ‘history’ of marks informed by my love of well worn textures, is the driving element that underpins my current explorations. I strive to create paintings with an engaging balance, abstract in structure yet organic in my choice of colors, mark making and layered techniques. Each mark and application of colour leads me to the next in my creative path from beginning to the completion of a piece that for me is genuine and has integrity. I build layers in a process that is both additive and subtractive, beginning ‘in the moment’ with less intent as I apply paint and pigments and make marks with brushes and a variety of tools into the wet surface, to build texture and depth. I erase, scratching, sanding, scrubbing. I add, washing, making marks and lines. I conceal and reveal. The process that allows the expressive forms to emerge is both accidental and purposeful. There is an exciting element of anticipation and surprise process as I reveal marks I remember making and loved or discovering ones I had forgotten were there.
Having been a representational artist for over twelve years, removing the recognisable object or subject from my work has allowed me to explore structure and tension. Tension between the muted colors, subtle textures and marks with that of the bold forms that conceal and in turn reveal nuances in my paintings. I seek to create pieces that have a fundamental strength and stability while simultaneously having a sense of the transitory, drawing attention with a bold statement, but inviting a lingering, intimate contemplation through the whispered ‘history’ of ‘older’ marks revealed.
BIO
Marie Larkin is an Australian artist from rural NSW. She began her career as an artist in the 1990’s, making fine embroidered pieces revealing aspects of her daily life as a mother. She won both The Dame Nancy Buttfield Embroidery Prize and The Namoi Valley Cotton Fibre Acquisitive Award for her work. Her exhibition ‘Revealing Threads’ was the recipient of a 10,000 AUD Arts Grant, touring Regional Galleries in three states.
Marie began painting seriously after 2008 and spent some time exploring mixed media. Over the past twelve years she has earned her place as one of Australia’s most successful Lowbrow artists with a substantial global following of fans and collectors. She has exhibited in both group and solo shows with galleries such as Corey Helford Gallery and Copro Nason in Los Angeles, Modern Eden Gallery in San Francisco, Urban Nation in Berlin and AFA Gallery in New York. Her work has been published in leading art journals worldwide.
CONTACT
0428 662 243
marie@marielarkin.com.au
DM Instagram : @marielarkin